Spain and Portugal
Taken with a Canon AE-1 Program, 35mm film in Madrid, Lisbon, Fatima, Nazaré, and Porto
Featured in: RAW Artists Exhibition on January 2020 and Artists of Tomorrow Exhibit in March 2020
Taken with a Canon AE-1 Program, 35mm film in Madrid, Lisbon, Fatima, Nazaré, and Porto
Featured in: RAW Artists Exhibition on January 2020 and Artists of Tomorrow Exhibit in March 2020
January 3-4, 2019, APSACE _Gallery (Makati, Philippines)
February 25, 2019, M1-5 Lounge (New York, USA)
The host at the cafe looked as though he didn’t hear me correctly the first time, so I said it more defiantly: Table for one, please.
If I wanted to count my film camera, which never left my hands, I would have asked for a table for two. Maybe even a table for nine if you wanted to count the rolls of film I had with me. However, I decided early on that there would be no room for digital photography at the table. With digital, there’s a tendency to devote more time editing a photo than actually taking a good photograph. With film, it was the exact opposite.
When I first landed in Europe, I was probably more nervous to use a film camera than navigating my way around cities I had never been to before. There was no plan to find the most photogenic scenes in Denmark and Switzerland—I just showed up to places with my Canon AE-1. Although I distance myself from my subjects, I always look for how they interact or complement each other. Having to depend on 35 frames and natural light makes you tend to see things a little bit more differently.
Anyway, the host gestured to me and said, “Pick any seat you like.” So, I chose the table with the best view.
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Taken with a Canon AE-1 Program 35mm film camera
New York and the Philippines, June - August 2019
December 26–31, 2018
Taken with Canon AE-1 Program and 35mm film
January 3-6, 2018, Discovery Primea (Makati City, Philippines)
Set up by ThemeWorks Events
It turns out a lot of colors can come from a little maroon book containing 36 pages and one terrible passport photo. (Thankfully said passport photo wasn’t horrible enough to be denied entry into a country but bad enough to have immigration officers do a double take upon opening my passport.) When I mapped out the series, I bounced between the sensation of time travel and the feeling of a homecoming. On one end of the spectrum, I got to re-visit places I hadn’t been to in years. On the opposite end, I remembered what everyone around me was like at that moment. Talk about whiplash. Just because the photographs aren't arranged by the date that doesn’t make it any less autobiographical.
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Click on the photographs to enlarge